Trending February 2024 # How To Build An Insulated Or Heated Doghouse: 10 Steps # Suggested March 2024 # Top 11 Popular

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Determine the size of the doghouse: Measure your dogs length, then add 12” to determine the width of the doghouse. Add 18” to determine the length of the doghouse. Measure your dog’s height, and then add 9” to determine the front of the doghouse and add 3” to determine the height of the back of the doghouse.

Once you have determined the size the doghouse, begin by cutting the floor joists using the 2×4’s. You will need to cut two joists for the length of the doghouse and three for the width. Butt the length parts up to the width parts making a rectangle. Screw ends together using 3” exterior screws. Center the third width part in the rectangle and screw to secure it. Now you have the frame of the floor of the doghouse.


Cut ¾ plywood to fit over floor frame. Screw down to floor frame using 1 ¼ exterior screws. Flip floor over to expose floor framing. Cut 1” foam insulation board to fit between floor joists. Use liquid nails to secure foam insulation board.

Now to build the sidewalls. Cut ¾ plywood to the width of the doghouse. Measure along the left side, using the measurement determined in step 1 for the front of the doghouse and add 3 ½” to allow coverage of the floor 2×4. Make a mark on the measurement. Then, measure the left side using the measurement determined in step 1 for the back of the doghouse. Be sure to add 3 ½” for coverage of floor 2×4. Mark on the measurement. Next, take a straight edge, line it up to the two marks, and draw a line. Cut along line. This determined the angle of the sidewall. Trace the sidewall on the ¾” plywood and cut to make the other sidewall. This making both sidewalls the same.

Screw sidewall to the floor using 1 ¼ “ exterior screws. Cut a 2×2 for each corner, the same angle as sidewall. Attach 2×2’s to each corner. Cut front and back panels using the ¾” plywood. Attach only the back panels using 1 ¼” exterior screws. Now cut 2×2 for the top and bottom of the front and back panels. Attach to the back only, this will give you a place to screw the interior plywood to the walls.

Cut 1” and ½ “ foam insulation board to fit inside walls, The 1” and ½ “ foam should be flush with the 2×2’s on the interior. Now cut ¾” plywood to fit all four of the interior walls. Screw the plywood to the 2×2’s using 1 ¼” screws.

Build the roof. Cut roof out of ¾ “plywood. Be sure to leave an overhang to keep rain away from walls. You will need to cut two the same size to insulate it. Cut 2×2 for edge, this will give a place to put the foam insulation and screw the two peaces together. A piano hinge can be installed on the back and roof to make the doghouse easier to clean.

Drill a hole in the back of the doghouse in the corner, down near the floor. This hole needs to be just big enough for the end of the cord to the heated mat to go through. Lay the mat down on the floor and put the cord through the wall. Be sure the cord is all the way outside to prevent dog from chewing it. There you have an insulated and heated doghouse.


You're reading How To Build An Insulated Or Heated Doghouse: 10 Steps

How To Build A Box Trap: 13 Steps (With Pictures)

Acquire the tools and materials necessary to make the box. The items are: a hammer, small box of 8 penny (1 and ½ inch galvanized) nails, one 10 foot long pine (1 inch x 8 inch) wood plank, circular saw, jig saw, safety goggles, tape measure, pencil, speed or “T” square, drill, 1 inch paddle bit, wire (old phone cord would work), a wooden dowel (approximately broom handle width) 3 feet in length (long enough for a 18 inch and 11 inch sections), bait can, and some form of bait.

Cut the materials to size. Using the circular saw, cut the 1 x 8 pine plank into: three lengths of 2 feet (bottom and side boards), 1 length of 22 inches (top board), one length of 9 inches (back board), one length of 10 inches (door board), four lengths of 1 inch (rail boards), and one length of 2 inches (fulcrum board).


Attach the rails to create a channel for the door. Using two of the three two foot lengths, attach the rails (four 1 inch length) to the front of the side pieces. This is done by first nailing the 1 inch length flush with the end of the side board but raised ¾ inches above the top, use at least two nails per rail. The second rail is spaced 1 inch from the initial rail and runs parallel to it. Using a speed-square will assist with correct spacing. Unlike the initial rail this second one will be flush with the top and bottom of the side board. The channel formed by the rails must have consistent one inch spacing to ensure the door slides properly. This should be repeated on the other side board.

Nail the side boards to the bottom board. Lay the bottom board on its side so that the underneath portion of the board is facing the assembler. Lay the right side board, with rails facing up, parallel to the top/inside of the bottom board. The ends of the bottom and side board should be flush with one another. Nail the two boards together, making sure to drive no less than four nails through the bottom board into the right side board. Now, the left side board can be attached to the bottom. This is done by rotating the partial assembly 180 degrees. With the underneath portion of the bottom board still facing the assembler, lay the left side board, with the rails facing up, parallel to the bottom board. Make sure the rails of both sides are facing one another at the front of the trap and that the side and bottom form a 90 degree angle. Note that the ends of the side of the end of the side and bottom boards should be flush.

Attach the back board. Place the back end of the trap toward the assembler. Position the 9 inch length so that it is flush with the bottom and side boards, but uneven with the top leaving it ¾ inches above the top of the side boards. This will allow the top board to be flush with the back board once it is attached. Drive the nails through the back board into the edge of the side and bottom boards, using no less than two nails for each of the three boards.

Prepare the top board. Place the 22 inch length top so that a hole, using the one inch paddle bit, can be drilled 4 ½ inches from the rear and three and ¾ inches from the side of the board. After drilling the hole, make sure the edges of the hole are smooth. A “V” shape notch is removed (cut) from the end of the fulcrum board by the jig saw. Then nail the non-notched end of the fulcrum board 10 ½ inches from the front of the top board; making sure that it is equal distance from each side and that the “V” notch is visible from the front and back of the top board.

Attach the top board to the assembly. Place the top board on the assembly, making sure it is butted up against the back board and flush to the sides prior to attaching it. The hole in the top board will be closer to the back of the trap and the fulcrum is extended up. Then nail through the top board into the edges side boards, four nails for each of the sides. Two nails will then be driven through the back board into the edge of the top board.

Prepare and place the door. Using the 1 inch paddle bit, drill a partial hole 1 ½ inch from the top of the door (ten inch length), making sure the center is equal distance from each of the sides. The depth of the partial hole should be approximately ½ inch and should not completely penetrate the board. With the partially drilled hole facing inward slide the door into the rail channels, making sure the door smoothly slides up and down.

Prepare the trigger dowel. Drill a hole, 1inch from the end of the trigger dowel, using an 1/8 inch bit; making sure the hole is equal distance from each side. Place one of the two wires through the hole and knot is on one end. A notch that goes halfway through the trigger dowel is cut 5 inches from the bait end and continues 2 inches toward the lever end. Make sure that the notch can catch onto the underside of the top board, but will easily be tripped.

Prepare the lever dowel. Drill a hole, using an 1/8 inch bit, 1 inch from the end of the lever dowel. Place the wire, previously run through the trigger dowel, through the lever dowel hole and knot the wire so the trigger and lever are closely connected; making sure the ends of the two dowels do not bind.

Set the trap. A can containing bait is placed in the trap, directly beneath the trigger dowel hole. The trigger dowel is slid through the hole in the top of trap with the notch facing the front of the trap. The lever dowel is placed on the fulcrum notch and the end of the dowel is inserted into the door notch while the door is in the open position. At the same time, the notch of the trigger dowel must catch the underside of the top of trap. The trap is now ready to be used.


How To Create An Influencer Media Kit In 5 Steps

A strong influencer media kit will help you highlight your strengths and land more brand deals. Learn how to make one in just 5 steps.

How do you tell if gold is real? Bite it. How do you tell if an influencer is legit? Check out their media kit. These are rules for life.

Having an informative, engaging, and impressive media kit is one of the best ways to land professional deals as an influencer. And knowing how to spot a great media kit is one of the best ways to form meaningful partnerships as a business.

So for folks on both sides of influencer marketing, here’s everything you need to know about creating an effective media kit.

Bonus: Download a free, fully customizable influencer media kit template to help you introduce your accounts to brands, land sponsorship deals, and make more money on social media.

What is an influencer media kit?

An influencer media kit is a document that influencers and content creators share with brands when discussing potential partnerships.

A good media kit should:

Showcase your strengths

Prove that you have an engaged online following (e.g. by including follower stats)

Highlight the kind of value you can bring to a potential client

Simply put, the purpose of a media kit is to convince others (businesses, collaborators, and other influencers you could potentially partner with) that you have the followers, the strategy, and the confidence it takes to boost their presence online—and in turn, make them money.

Ideally, a media kit should be short and sweet (like a resume). It’s a visually appealing and concise snapshot of your online presence and achievements.

Media kits are usually exchanged in a PDF or slideshow format—but again, if it’s a slideshow it should be short! Think of it more like a highlight reel than a feature film.

Let’s get rolling.

5 reasons you need an influencer media kit 1. Come across as more professional

Just like having an email with your own domain name or ordering an appetizer for the table, media kits make you look like a boss: they show you’re prepared, experienced and eager to collaborate.

2. Land better brand deals

Professional media kits lead to professional brand deals — and you’re more likely to score a good partnership with a good media kit.

Think about it: if your kit shows the value you can bring, you have more bargaining power when it comes to negotiating fees. Being able to give concrete examples of the good you’ve done for other businesses is an asset to landing a great new deal.

3. Communicate more efficiently

Sometimes, working in social media can be a numbers game (and no, we’re not talking about how many followers you have).

If you’re reaching out to lots of businesses about potential brand deals, or having lots of brands reach out to you, you’ll want a media kit at the ready. Your kit is a one-step hack for showing potential partners everything they need to know about you, and having one means you won’t have to go back and forth emailing and DMing to communicate the same information over and over again. Just send them a comprehensive media kit and you’ll only have to deal with follow-up questions.

4. Set yourself apart

Your media kit sets you apart from other influencers as much as your content does. Being creative and concise in your kit shows brands your skills in action, and you can use your media kit as an opportunity to stand out from the crowd.

Think Elle Woods perfumed pink paper, but digital. What, like it’s hard?

5. Gain confidence

Anyone can experience self-doubt at any point in your career, but chances are if you’re a micro- or nano-influencer (10,000 to 49,999 followers or 1,000 to 9,999 followers, respectively) you’re suffering from a bit of imposter syndrome.

Don’t worry too much. Simply putting together this kit, which is basically a beautiful celebration of everything that makes you fabulous, can help you get in the right mental state for getting out there and getting that bread.

What should be included in an influencer media kit? A short bio

This is arguably the most important part of your kit—it should come first, as it will shape the viewer’s first impression of you as an influencer.

Include your name, where you’re based, and what you do—your interests, values and experience are important to communicate here.

A list of your social media accounts

A list of your accounts across social media platforms (complete with links!) is an essential component of a media kit. Hopefully, folks looking over your kit will want to see you in action, so providing them with a clear route to your content is key.

Your performance stats

As much as we believe that quality beats quantity when it comes to social media, the stats still matter. Hard numbers will help your potential clients decide whether your reach and engagement align with the brand’s targets.

Make sure you include:

Your number of followers. This is important, but not quite as informative as…

Your engagement rates. This shows how many people actually interact with your content (and proves that you haven’t bought all your followers). For an in-depth guide on engagement rates and other stats that matter, check out our guides to analytics on Instagram, Facebook, Twitter and TikTok.

General audience demographics. What is the gender breakdown, and where does your audience live? How old are they? This will help businesses determine if there’s overlap between your followers and their target audience, and will inform whether or not you’re the right fit for their brand.

You can also include:

How much content you post in an average week

How much your account and following has grown in a certain amount of time

Successful brand deal case studies

This is the part where you shamelessly brag.

Include as many numbers as possible when you’re exhibiting case studies, including how long campaigns lasted, how the stats for the brand you partnered with changed, and any concrete data you can give for the actual number of people you sent their way.

Affiliate programs are also great for this. If, for example, you gave your followers a unique code that they could use for a discount at a certain vendor, your kit should include how many people used your code (and how much money you brought in for the brand).

Obviously, you’ll want to be as positive as possible when referring to other brands that you’ve partnered with. Now is the time to be upbeat and inspiring.

Your rates

Your rates should come at the end—that way, you’ve already shown your potential client what you’re worth it.

Whether or not you should include your rate card in your brand kit is controversial in the influencer and content creator community. Here are some things to consider.

A positive aspect of being upfront about pricing is that it shows brands that you expect to be paid for your work (free products are cool, but cash is better). Because it’s a relatively new and creative industry, it’s easy to get wrapped up in a contract that doesn’t serve you economically, and being clear about rates helps to prevent that.

That said, promising rates before discussing the nature of the work you’re doing is risky. Phrasing your prices as a “suggested” or “estimated” rate helps give you some more bargaining power.

Alternatively, you can not include rates in your media kit and instead send them separately when requested—that way you can adapt your prices for different companies.


Odds are, much of the work you’ll be doing as an influencer is visual—it’s what grabs people’s attention and inspires them to stop scrolling. Be sure to include a few high-quality photos in your media kit to exemplify your photography skills and your overall aesthetic.

Photos are a nice visual break to a reader, and they also give brands a little taste of what you do.

Contact information

This one should go without saying — when creating your media kit, include contact details to make sure brands know exactly how to get in touch with you!

How to create a stand-out influencer media kit Do your research

If you’re reading this, you’re already on this step. Go you! Take a look at the media kit examples included in this blog post and do some digging into other influencers in your community. Find what stands out to you and determine why—then you can recreate it with your own personal flavour.

Collect your data

Take notes of all your stats and case study numbers, no matter how big or small or successful or not successful. Remember to pay special attention to stats that show engagement rather than just numbers.

Hootsuite Analytics will be your hero here—the platform gives you the info from every app (Instagram, TikTok, YouTube,Facebook, Twitter, LinkedIn, and Pinterest!) in one place.

Learn more about Hootsuite Analytics:

Cut any data that doesn’t serve you

Honesty is the best policy, but if you feel certain stats aren’t representative of how great you are, you don’t have to include them.

Focus on the positives and how much you’ve grown, and leave out anything that won’t help you get a deal. Make sure you still have those stats written somewhere, though, as brands might ask, and you definitely don’t want to lie (it’s morally bad, yeah, but getting called out for that is also super humiliating).

Plan your look

Put your art hat on and plan what kind of vibe you’re looking for —warm or cool, maximalist or minimalist? You can draw inspiration from art you like (album covers, clothing brands, etc.) but make sure the style you settle on aligns with your content. Have a color palette in mind.

Use a template

If you’re an art whiz, the layout part of a media kit should be a breeze. But a template is an excellent start for those less editing-savvy, and many online templates rock: they’re totally customizable and don’t look cookie-cutter at all. So use the support, and take the template—if not to use, just to inspire.

Our team has created this free, fully customizable media kit template to make getting started easier:

Bonus: Download a free, fully customizable influencer media kit template to help you introduce your accounts to brands, land sponsorship deals, and make more money on social media.

Influencer media kit examples

Now that we’ve covered all the basic elements of a media kit, here are a few examples of well-designed, effective media kits.

It’s important to remember that there’s no one way to make a media kit – each kit will look a little different from the next. What’s important is that they are easy to read, friendly to the eyeballs and informative.

Source: Love Atiya

This influencer’s kit starts with her handles, some stats and demographic data. She also has logos from different brands she’s partnered with in the past.

Source: @glamymommy

This Instagram influencer’s kit includes the number of monthly unique visitors she has on her social media, which is a great way to show brands the growth potential of your audience. Her bio includes some information about her education and family, and it’s super clear who she is: brands that market to new moms or in the fitness or beauty industry would be a good match for her.

Source: @kayler_raez

This influencer and model’s media kit includes his measurements (good if you’re seeking out contra, as brands can send you garments that properly fit). His bio focuses on his modeling work and his “Previous Work” section is a rapid fire of brands he’s collaborated with.

Influencer media kit template

Bonus: Download a free, fully customizable influencer media kit template to help you introduce your accounts to brands, land sponsorship deals, and make more money on social media.

Grow your online presence with Hootsuite. From a single dashboard, you can schedule and publish posts directly to Instagram and TikTok, engage your audience, measure performance, and run all your other social media profiles. Try it free today.

Get Started

Do it better with Hootsuite, the all-in-one social media tool. Stay on top of things, grow, and beat the competition.

How To Play American Football: 10 Steps (With Pictures)

Article Summary


American football is a popular game played between two chúng tôi team has 11 players on the field at a time. In professional games, players will specialize in one position on either offense, defense, or special teams. The goal of the game is to score more points than the other team after 4 quarters of play. Before the game starts, each team is assigned a scoring area, called an endzone. The game begins with a kickoff where the defending team kicks the ball as far as they can towards their endzone. To understand the rules of the game, first you must learn how the down system works. Whenever the offensive team takes the ball, they have 4 turns, called “downs,” to move the ball at least 10 yards by passing or running the ball. So, a play on “second and 6” means that it’s the offensive team’s second turn with the ball, and they have 6 yards to go until they get 10 yards and earn a “first down.” If a team does get a first down, they get a new 10-yard target and a fresh set of downs. If a team makes 4 attempts and does not get 10 yards, the opposing team’s offense takes the ball and starts over on 1st down going the opposite direction from wherever the last play ended. Many teams will choose to punt on fourth down rather than run a standard play if they aren’t close to the first down marker. A punt is where the offense voluntarily gives up possession of the ball by kicking it towards their endzone. A punt is often preferable to “going for it” on a fourth down because it will take the other team longer to get to their side of the field and potentially score. There are three main ways that a team can score in American football, with the highest number of points awarded when a player takes the ball into their endzone for a touchdown. When a player scores a touchdown, their team is awarded 6 points. The offense can then either kick the ball through the uprights for an additional 1 point (called an extra point), or run a normal play and attempt to score again for an additional 2 points (called a two-point conversion). At any time, the offense may also try to kick a field goal by kicking the ball through the uprights. This is common on 4th down when the offensive team is close enough to the uprights to kick it, but too far away from the first down line to risk going for it. If the kicker successfully kicks the ball through the uprights, their team is awarded 3 points. If they miss, the opposing team takes control of the ball wherever the last down took place. Whenever a team scores, the scoring team kicks the ball off from a predetermined point on the field and the team that was on defense takes the field on offense. After 4 quarters of play, the team with the most points is declared the winner. For tips on how to create a great plays, read on!

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Why Fabien Cousteau Wants To Build An Underwater City

July 1963 Cover

In the July 1963 issue of Popular Science, we detailed the work of Jacques Cousteau, an oceanographer who was building the Conshelf II — an underwater habitat where he would set a world record living under the sea for 30 days. At the time,Cousteau predicted that “within 50 years a new breed of humans—Homo aquaticus, the Water Man—will live under water without an air supply.”

Although artificial gills never made it out to sea, Cousteau’s dream of living underwater is not dead. Recently, at a summit in New York City, Fabien Cousteau (grandson of Jacques) announced his intentions to build a city under the sea. “I’m here to help pioneer the next underwater cities, which will be completely self-sustaining, to tend a network of information and data gathering.”

“I’m here to help pioneer the next underwater cities, which will be completely self-sustaining.”

Fabien Cousteau recently broke his grandfather’s record, living 31 days in the world’s only undersea laboratory, Aquarius, in the Florida Keys. He says the stay gave him “the luxury of time to explore our planet’s final frontier.”

Swimming down from the surface limits the time a diver can spend deep underwater. The high pressure of all that water forces extra gas to dissolve in the diver’s bloodstream, and if the diver resurfaces too quickly, nitrogen can bubble out of the blood, leading to decompression sickness or even death. So every time the diver swims to the surface to eat, sleep, or get a new oxygen tank, she needs to set aside several hours to decompress slowly. But because Cousteau and his team were living underwater, there were no pressure differences to deal with, and they could pop outside anytime and swim around for five to twelve hours at a time.

During his life aquatic, Cousteau says he was able to understand underwater ecosystems as never before, while gathering data and observing endangered species (like the goliath grouper, which can weigh up to 800 pounds). “In the 31 days that we were down below, we gathered data related to climate change, acidification, pollution, and overuse of natural resources, which will be used in 12 scientific papers,” he says.

To date, scientists have explored less than five percent of the oceans, and Cousteau thinks that only by being ‘immersed’ in the ocean—living there full-time—can we begin to understand it.

His 31-day stint in Aquarius has also given him some ideas as to how to make underwater living easier on humans.

“Aquarius is an antique,” Cousteau told Popular Science. The lab was built in the 1960s. It was only intended for week-long missions, and it relies heavily on supplies from the surface. “My dream, which I hope will come to fruition down the road, is to build a real-life Atlantis, where it’s completely self-sustaining, with little or no support from the surface.”

To start, Cousteau envisions a colony that generates its own oxygen and scrubs its own carbon dioxide. Unlike Aquarius, which pumps down air from the surface, the underwater city could manufacture its own air—perhaps by using electrolysis to free oxygen from water molecules. Carbon dioxide would also need to be removed from the system. For that, scientists are developing chemicals and materials that would bind to CO2 and pull it out of the air. “These are two essential points that, until now, have been tackled by space but not underwater,” Cousteau says.

Secondly, the underwater city could harness energy from the ocean around it, through wave energy, splitting water into hydrogen gas, or putting temperature gradients to work in thermoelectric devices.

But then there’s the food issue. During his stay on Aquarius, Cousteau survived almost entirely on freeze-dried astronaut food, which he found distasteful after a while. “Honestly, space food sucks,” says Cousteau. “And on top of that, you lose your sense of taste, so eating really becomes an unpleasant experience.” Instead of relying on imported food, he wants to see underwater colonies that grow their own food—perhaps by farming algae and other plants.

Such a colony would not only help us study oceans better, says Cousteau, but may also pave the way for fully functional space habitats.

Cousteau’s vision is still a concept, with no plans (that we know of) to begin construction anytime soon. But dreams like this help us imagine a brighter future with healthier oceans and new frontiers to explore. That’s exciting. And, who knows, maybe in the next 50 years, Homo aquaticus could finally come into being … minus the freaky gills.

Correction (11/4/2014 11:30am ET): An earlier version of this article suggested that decompression sickness occurs when oxygen leaves the blood too quickly. It’s actually caused by nitrogen leaving the blood too quickly.

Can Web Designers Use Linux To Build An Effective Site?

There are many ways to design a website. The most skilled among us are best-known for being able to code a website using nothing but a text editor. However, for those of us who are less skilled in this area, the right software tools can make all the difference.

In this article, I’ll explore the benefits of using a simple text editor,as well as look at the value of various website creation applications available for Linux. Remember, just because there are various web editors available for Linux, doesn’t mean that these applications are going to work as expected. I’ll shine some light on what’s working, what isn’t and why.

It All Starts With Graphics

I don’t care who you are, at some level you’re going to need a decent image editor for web design. Based on my own layman’s experience with web design, I’ve found this to be an unavoidable reality. The good news is that modern Linux desktops offer a few different options from which to choose from.

The first application I turn to is called GIMP. Despite any of the perceived shortcomings reported by frequent Photoshop users, this is a great go-to image editor. Plus, if you haven’t tried either application youwon’t need to worry about “unlearning” anything Photoshop-related. GIMP allows web developers running a Linux desktop to make nearly any change to an image you can think of with relative ease. And anything that GIMP is missing, can likely be handled by installing the right GIMP plugin.

If you’re finding that creating something with vector graphics is better-suited to your web project, then odds are you’ll end up using an application called Inkscape. The Inkscape application is useful when you’re working up a new graphic without the benefit of an image from which you’d otherwise manipulate. Offering much of the same functionality as Adobe Illustrator, Inkscape offers one critical feature that it’s closed source counterparts are lacking – forgoing the hefty price tag. Unlike Illustrator, Inscape offers a 100% free alternative to web designers needing access to decent vector graphics software.

Web Development Tools

Those of you looking to roll up your sleeves and dive right into your projects with a web development IDE should consider Aptana Studio. This software provides web developers with the real-world tools needed to create fully functional web apps. This isn’t to say that you can’t use Aptana Studio to create a static website, rather using it for this alone would be a waste of its overall functionality. This software is a fantastic alternative to Dreamweaver and other similar programs found on Windows.

Now for those of you who would rather keep things simple and stick to a “WYSIWYG” feel, there are some decent solutions available. One that I was fond of until it was discontinued was called Quanta Plus. Far from perfect, it offered great support for templates and with a bit of patience, could be quite useful if you’d rather not code everything by hand. Sadly, this editor is no longer available.

Next up is an application called Bluefish. It makes for a nice bridge between Quanta Plus and Aptana Studio. Bluefish does lack the WYSIWYG functionality found with other editors, but still offers other decent features. If you know what you’re doing, you’ll find that Bluefish is robust enough for the most skilled among you. And instead of offering functionality that simply gets in the way, it provides you with a great set of organizational tools to keep your workflow moving forward. As you move Bluefish into the standard bar, you instantly realize that this is a powerful editor. With Bluefish offering great template action for HTML, PHP and Apache, you really come away feeling like it wasn’t a wasted download.

Above I mentioned the discontinued web editor Quanta Plus? Well, there’s another one that offers similar options and rather than being tossed aside, it has been given new life with a new name. This editor was called Nvu and over time, went on to become what is known as KompoZer. Unlike Bluefish, KompoZer hasn’t seen the level of activity that you might expect. The last update appears to have been sometime in 2010, which makes it difficult to rely on as HTML standards and other issues progress.

It seems that unless something significant happens, KompoZer could face the same fate as its Nvu cousin. I hope this isn’t the case, but it’s really difficult to recommend something that hasn’t been updated in such a long time. There may still be some activity behind the scenes, it’s difficult to say for sure though.

The State of Web Design in Linux

The reason newbie web editors continue to stagnate isn’t really that surprising. The masses are moving to web-based alternatives. This is especially true with the expansion of new developers opting for solutions like WordPress over that of simply running a static website. The idea of running PHP and databases is suddenly easier than it once was.

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